기능
템플릿
둘러보기
요금제

Pixalice

Pixalice는 텍스트나 사진을 고품질 4K 비주얼로 변환하는 AI 이미지 및 영상 생성기입니다. AI 아트와 영상을 온라인에서 빠르게 만들 수 있습니다.

AI 도구

텍스트로 영상 생성
이미지로 영상 생성
텍스트로 이미지 생성
이미지로 이미지 생성
이미지 생성기
영상 생성기

모델

GPT Image 2
Nano Banana 2
Seedance 2
Grok

리소스

템플릿
둘러보기
요금제
블로그

회사

소개
문의하기
쿠키 정책
개인정보 처리방침
이용약관

© 2026 Pixalice All Rights Reserved.

커뮤니티 쇼케이스

AI 이미지 및 영상 쇼케이스

Pixalice 커뮤니티가 공개한 창작물을 확인해 보세요. 스타일 이미지부터 짧은 AI 영상까지 폭넓게 볼 수 있습니다.

공개 AI 작품

미디어 유형별 필터

A vintage microphone cutout stands dominant in the frame in front of the radio set from earlier, a typewriter caption strip beneath it reading "ALL INDIA RADIO", small halftone sound wave lines radiating from the microphone head, generous negative space around the object, soft cutout shadow grounding it on the newsprint surface. hand-cut documentary paper collage on aged newsprint and archival map surfaces, black and white halftone photograph cutouts with rough scissor-cut edges and offset accent strokes, torn paper edges, masking tape fragments, typewriter caption strips, rubber stamp marks, red string and brass pins where the story calls for connections, desaturated archival palette of tan, ink black, and halftone gray with ONE hot red signal accent and a restrained mustard yellow secondary, condensed bold headline lettering only where a label is specified, visible print grain and paper fiber, matte, flat even documentary lighting with soft cutout drop shadows. Every element must appear physically hand-cut and layered from real paper, with visible cutout edges, halftone print texture, and soft shadow separation between layers. The composition stays clean, minimal, and editorial with generous negative space. NOT digital illustration, NOT cartoon, NOT 3D render, NOT glossy, no gradients, no clutter, no watermark, no logos, no text beyond the specified label. Premium documentary collage aesthetic, 16:9, ultra-detailed, 8K.

Prakash Singh

A paper map silhouette of India fills the frame as the dominant hero, overlaid with a halftone photograph collage of ordinary citizens cutouts walking, small scattered newspaper clipping fragments floating around the map edges, one brass pin marking New Delhi, generous negative space at the top for breathing room, soft layered shadows separating the map from background newsprint texture. hand-cut documentary paper collage on aged newsprint and archival map surfaces, black and white halftone photograph cutouts with rough scissor-cut edges and offset accent strokes, torn paper edges, masking tape fragments, typewriter caption strips, rubber stamp marks, red string and brass pins where the story calls for connections, desaturated archival palette of tan, ink black, and halftone gray with ONE hot red signal accent and a restrained mustard yellow secondary, condensed bold headline lettering only where a label is specified, visible print grain and paper fiber, matte, flat even documentary lighting with soft cutout drop shadows. Every element must appear physically hand-cut and layered from real paper, with visible cutout edges, halftone print texture, and soft shadow separation between layers. The composition stays clean, minimal, and editorial with generous negative space. NOT digital illustration, NOT cartoon, NOT 3D render, NOT glossy, no gradients, no clutter, no watermark, no logos, no text beyond the specified label. Premium documentary collage aesthetic, 16:9, ultra-detailed, 8K.

Prakash Singh

Annie Leibovitz-inspired grand fantasy group portrait, Vanity Fair style. A drow dark elf queen stands at the center on an ornate obsidian throne platform inside a vast underground palace, flanked by her loyal drow priestesses and armored guards in the shadows. Queen has obsidian-blue skin, long silver hair with braided adornments, crimson eyes, pointed ears, wearing a monumental gown of black velvet and dark-silver embroidery with a sweeping train. Painterly cinematic lighting like an Old Master painting, warm torchlight mixed with cool violet glow, rich textures, epic storytelling composition, wide-angle medium format.

GPT Image 2.5 Flare

thrthrt rthrthr

mino ghali

▲古籍文字區塊,
斑駁線條框內的手寫體漢字書法,
筆畫粗細各異的墨色文字,
東方傳統印刷古籍經典書冊頁面的斑駁摩擦磨損線條框內有這些文字,但是畫面沒有書本書籍,每行文字均有斑駁線條區隔,單色墨印；手寫體漢字書法筆畫粗細各異:

嗣中六年苦行的慘狀。
為的是要幫人類還原真理天道。
天道被舊官員徹底毀壞了。

▲繪圖風格:
黑色墨水輪廓勾勒與柔和水彩渲染,
交叉排線陰影技法與邊緣暈染效果,
MBM素描紙的橫條紋理質感,

▲搭配一名女子身穿附件檔服飾,
▲搭配附件檔景觀,

彌勒佛紫微東方聖人彌賽亞本尊天選之人（嗣中彌勒佛行銷帝君）

I want the person in the image upload holding a piece of paper with the name Phil at the center and below the date October 8, 2026 make the marker or pen hand writing realistic but not too perfect. make sure it is holding with their two hands

Tina Blankwell

A large torn newspaper front page occupies most of the frame as the dominant hero element, its headline area deliberately obscured by a thick black ink smear cutout, a single ray of mustard yellow light cutout crossing the page diagonally, small torn date fragment pinned at the corner reading "1947-1975 INDIA", generous negative space surrounding the page, soft paper grain visible throughout. hand-cut documentary paper collage on aged newsprint and archival map surfaces, black and white halftone photograph cutouts with rough scissor-cut edges and offset accent strokes, torn paper edges, masking tape fragments, typewriter caption strips, rubber stamp marks, red string and brass pins where the story calls for connections, desaturated archival palette of tan, ink black, and halftone gray with ONE hot red signal accent and a restrained mustard yellow secondary, condensed bold headline lettering only where a label is specified, visible print grain and paper fiber, matte, flat even documentary lighting with soft cutout drop shadows. Every element must appear physically hand-cut and layered from real paper, with visible cutout edges, halftone print texture, and soft shadow separation between layers. The composition stays clean, minimal, and editorial with generous negative space. NOT digital illustration, NOT cartoon, NOT 3D render, NOT glossy, no gradients, no clutter, no watermark, no logos, no text beyond the specified label. Premium documentary collage aesthetic, 16:9, ultra-detailed, 8K.

Prakash Singh

A vintage wooden radio set dominates the composition at center, its fabric speaker grille lit from within by a faint warm glow, sitting on a dark wooden table cutout, aged newsprint clock in the background showing midnight hour hands, one torn calendar page pinned beside it reading "25 JUNE", generous negative space around the radio to emphasize isolation and stillness, soft cutout shadow beneath the radio base. hand-cut documentary paper collage on aged newsprint and archival map surfaces, black and white halftone photograph cutouts with rough scissor-cut edges and offset accent strokes, torn paper edges, masking tape fragments, typewriter caption strips, rubber stamp marks, red string and brass pins where the story calls for connections, desaturated archival palette of tan, ink black, and halftone gray with ONE hot red signal accent and a restrained mustard yellow secondary, condensed bold headline lettering only where a label is specified, visible print grain and paper fiber, matte, flat even documentary lighting with soft cutout drop shadows. Every element must appear physically hand-cut and layered from real paper, with visible cutout edges, halftone print texture, and soft shadow separation between layers. The composition stays clean, minimal, and editorial with generous negative space. NOT digital illustration, NOT cartoon, NOT 3D render, NOT glossy, no gradients, no clutter, no watermark, no logos, no text beyond the specified label. Premium documentary collage aesthetic, 16:9, ultra-detailed, 8K.

Prakash Singh

**SCENE 5 — REVEAL MY MAGICAL HOUSE | 16:9**

Create a cinematic establishing shot of the Unique Magical Family's home. The house has a red front door, turquoise window frames, a distinctive purple pointed roof, a beautiful green garden and warm golden light coming through the windows.

Kai stands at the entrance, holding an ornate invitation and smiling as he welcomes the learners. The family stands behind him. Through the windows, show subtle glimpses of rooms without revealing their names.

Add the title:
“MY MAGICAL HOUSE”

Add the question:
“WHAT IS HIDING INSIDE?”

Use a low cinematic camera angle, volumetric sunset light, gentle fireflies and polished anime feature-film backgrounds. Create anticipation for the exploration.

Er-Ramy Yassine

Make her wearing christian louboutin so kate 120mm

Omar Megahed

liegen auf einer Strandmatte zum Sonnen

Isidor Dizenta

I want the person in the image upload holding a piece of paper with the name Phil at the center and below the date October 8, 2026 make the marker or pen hand writing realistic but not too perfect. make sure it is holding with their two hands

Tina Blankwell